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・ Rodrigo Possebon
・ Rodrigo Posso
・ Rodrigo Prats
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・ Rodrigo Pérez
・ Rodrigo Pérez de Traba
・ Rodrigo Pérez-Alonso González
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Rodrigo Rey Rosa
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・ Rodrigo Riera
・ Rodrigo Riquelme
・ Rodrigo Rivera
・ Rodrigo Rivera Salazar
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・ Rodrigo Rodrigues Ribeiro
・ Rodrigo Rodriguez
・ Rodrigo Rojas DeNegri
・ Rodrigo Rojo
・ Rodrigo Romero
・ Rodrigo Roncero
・ Rodrigo Rosario
・ Rodrigo Rosenberg Marzano


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Rodrigo Rey Rosa : ウィキペディア英語版
Rodrigo Rey Rosa

Rodrigo Rey Rosa (born November 4, 1958) is a Guatemalan writer.
==Biography==
Rey Rosa was born in Guatemala City in 1958 into a middle-class family. He recalled that in his childhood he traveled extensively with his parents throughout Mexico and Central America, as well as through Europe. It wasn't until the age of eighteen that he traveled alone, just after finishing high school, to London, Germany (where he had to work to earn money to continue his travels), and Spain.〔Jeffrey Gray. Placing the Placeless: a Conversation with Rodrigo Rey Rosa (), p. 163.〕
Upon his return, he lived one further year in Guatemala before leaving (in 1979) because of unrest, and emigrated to New York. There he enrolled at the School of Visual Arts, attracted by its summer writing workshop with Paul Bowles in Tangier. Rey Rosa dropped out in 1983.〔Jeffrey Gray. Placing the Placeless: a Conversation with Rodrigo Rey Rosa (), pp. 163-4.〕
Rey Rosa has based many of his writings and stories on legends and myths that are indigenous to Latin American as well as North Africa. A number of Rey Rosa's works have been translated into English, including; ''The Path Doubles Back'' (by Paul Bowles), ''Dust on her Tongue'', "The Pelcari Project," ''The Beggar's Knife'', ''The African Shore'', and ''Severina''. Along with his longer writings, he has also written a number of short stories that have been printed in college-level text books, such as "Worlds of Fiction, Second edition" By Roberta Rubenstein and Charles R. Larson. A few of these short stories include ''The Proof'', and ''The Good Cripple''. Many of Rey Rosa's works have been translated into seven languages. In the early 1980s, Rey Rosa went to Morocco and became a literary protege of American expatriate writer Paul Bowles, who later translated several of Rey Rosa's works into English. When Bowles died in 1999, Rey Rosa became an executor of his literary estate.

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